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Sorry to disappoint some Eminem groupies and some die hard Shady Records fans, but this is GOOD news as far as I am concerned! Obie didn’t receive the attention he deserved at Shady Records. The Detroit emcee is inventive, lyrical, creative as hell… leaving Shady Records is the best thing he could actually do…Obie deserves much more, as far as I am concerned:)

Read the original article here.

By Tai Saint-Louis
Following the heavy circulation of Obie Trice’s new single “The Giant” signaling the Detroit rapper’s departure from his situation with Shady Records and it’s parent company, Interscope, the brass at Shady issued a statement Monday (Jun 30) reaffirming its support of Trice’s decision.

“Shady Records has agreed to allow Obie Trice to pursue his craft in a different forum free from the constraints of the current major label model,” Eminem’s long time partner and manager Paul Rosenberg told AllHipHop.com.

Sources on the web have erroneously reported that the new explanatory track released to the web on Sunday (Jun 29) included lyrics meant as a diss to his former label and Eminem, who added Trice to the label’s roster in 2000.

At issue was the song’s opening verse, on which Trice raps “Guess it was meant / for me to branch off from my Caucasian friend” and “Nope, no more 2nd place to Eminem / question if I was 2nd is the question to many men.”

“Eminem will continue to support and work with Obie on many levels of his career,” Rosenberg stated frankly. “He remains a close friend and member of the Shady family.”

During his time as a Shady/Interscope artist, Obie Trice’s two albums which were well received critically, established the artist as Eminem’s heir apparent.

The first, 2003’s Cheers, sold over 500,000 copies worldwide, while its follow-up Second Round’s On Me found slightly less commercial support.

Obie has a brand new blog…check it for the Obie exclusives:)

and I am not impressed.

Again, it involves Eminem and his former collaborator and friend Royce da 5.9.

Apparently, Royce called Eminem a “white cracker”. While Eminem doesn’t seem to have reacted (or maybe he is preparing a diss), new Shady Records member Ca$his called Royce out.

I am pretty sure I will make some new enemies by stating this, but Ca$his should stop running his mouth and stay out of this.

Eminem has proven to be a good disser, a battle rapper, an astute wordsmith. If you actually followed the long term beef that opposed Eminem to Benzino since 2003, you would perfectly know that Eminem is big enough as an emcee to handle his own beefs without the intervention of some average emcee, no matter if he is signed to Shady Records or not.

Readers of my blog, you all know that I respect Royce as an emcee, regardless of whatever opposed him to Eminem or D12. Royce is a lyrical master. So is Em.

So let the great handle their own battles of words! Ca$his has not yet managed to prove me that he is an outstanding lyrical genius.

On a side note, I’d like to share the comment from one of my my space readers (Kevin), who happens to be an emcee too:

“It was not a diss!The line was paraphrasing “ask me who the best rapper” “Like askin Slim Shady whos the best cracker…Straighten ya face up that aint a diss” he says it aint a diss.The line apparently went over Ca$his’ head.Im a white Emcee thats a compliment.Its cool I hope it gives Royce some new material he would beast ca$ no problem.Ca$his doesnt have the lyrical arsenal to comeback from anything Royce does.”

Which tends to prove that Ca$his slightly missed the point.

Copyright © by Isabelle Esling
All Rights Reserved

It’s called Detroit. Listen to it here.

Global rating of the product: 4 stars

Shady Records artist Obie Trice recently released the We Run Detroit mixtape in collaboration with Stretch Money. It offers an interesting panel of Detroit talents participation. Most tracks are good compositions which will allow the listeners to discover Detroit hip hop’s specificity.

Although I’ve never been a big Jay Z fan, the song allows me to be very much appreciative of Obie’s skills. Obie owns the lyrical part of the song. His verbal storm totally matches with a rich orchestral background.
The only detail that spoils the song from a musical point of view are the loud horn sounds. They are supposed to create a quite cocky atmosphere, but they seem overshadow the quality of the song.

Ignorant S**t featuring Jay Z and Beanie Sigel also enlighten Obie’s know how: creative lyrics, stormy flow delivery, good instrumentals. However, the chorus and horn sounds seem spoil the song again.

Quest M.C.Q.U.O.D.Y’s Fade Back song has some blues and rock’n roll accents. The artist s vocal efforts are truly enhanced by the electric guitar sounds. A raw sound, combined with heartfelt lyrics will allow you to appreciate the track to the fullest.

Helleva and Eminem are working together on the I Can Be song.
Dark and rhythmic drum beats mixed up with massive violin sounds unveil the dramatic meaning of the song.
Eminem’s part is a little bit disappointing: not that it is bad, but one could expect a little bit more of lyrical creativity from the emcee who wrote complex songs such as the Infinite song. Moreover, Em insists too much on his bad boy image.
Another weakness of the song is-once again- the introduction of those horrible horns. This is not a football match-it is supposed to be a rap song.

Strech Money’s Punishment song is a very rhythmic, lyrically well handled song. With its slight Ruthless sounds and the gangsta spirit it carries, Stretch Money’s talent illuminates the whole track.
I’m Clean : come into Stretch Money’s world, walk through the Detroit area with him. A rich musical background, swinging drum beats, a hustling spirit will reveal a talented emcee straight out of the D.

The CD is strengthened by Royce da 5.9 s participation. Follow Royce in I Get Money. Feel the Southern musical flavor of the track, the good sense of rhythm that allies lyrical talent and a raw hood spirit, enjoy his fast flow delivery.

Rewind is another demonstration of Royce’s hip hop mastery. Listen to his rhythmic lyrical bullets shot from his mouth on a flute and drumbeat background. Very well done!

Open your ears for Famous& Flame’s Skrilla Gorillas anthem.
Some astute wordplays, a dark and rhythmic musical background, a real good lyrical effort welcome you into a hustler s world.
They are coming to you like a bulldozer, ready to erase everything on their way. Don’t sleep on them.

In Dark Moon, Obie and his partner in crime Famous are killing it again.
You will probably enjoy the combination of a bass and drum background.
Dark Moon totally represent the streets of Detroit City.

Globally speaking, the We Run Detroit mixtape is really worth your interest. A few weaknesses such as the massive use of those horrible horns should have been avoided. However, let s point out that the mixtape is rich of tight Detroit artists participation. If you are in love with the Murder Capital s merciless spirit, you are definitely going to enjoy its music.

Copyright© 2007 by Isabelle Esling
All Rights Reserved

Written by Dave
Monday, 21 May 2007
All is quiet in the Shady camp at the moment — besides the hailstorm of publicity that Shady/Aftermath artist 50 Cent has been stirring up, Eminem and D12 are playing it low-key.

But that hasn’t stopped Obie Trice from gearing up for his next project, Bottom’s Up. He’s a few songs deep and hopes to be able to drop the album by the top of next year. Obie has only been in the lab with Daz Dillinger so far, but it’s another vet he’s recently linked with — former Suave House CEO and current Clipse manager Tony Draper — that has the Detroit rhyme-slinger thinking about the big picture.

“I’m in the makings with him about doing some management [for me],” Obie said of Draper. “We working some things out. It’s a good look. He knows a lot of people and knows how to move things around. He’s been out here for a minute, so that’s a good look as far as I go. I’m just trying to branch out and get in this game correctly.

“I don’t really know a lot of artists — I’m in Detroit,” Obie continued. “It’s not Atlanta, where everybody is everywhere, or L.A. or somewhere like that. I actually think it’s time for me to start branching off and start connecting with cats. Getting my collaboration on and working with some hot producers — unknown and known — and just make them joints that feel good and that are radio. I just want to make that transition.”

With that goal in mind, Obie has compiled a wish list for Bottom’s Up that includes Eminem, Young Buck, Akon, Jazze Pha, and Devin the Dude. He also told us he’d ultimately like to be the type of artist who gets invited to perform at award shows and talked about for having the song of the year.

But Obie’s in no rush to pull a crossover move. He recently leaked his latest joint, “Detroit Summer,” which will also be on his next mixtape with DJ Whoo Kid, The Most Underrated. Obie revealed a few tracks he’s working with, like the cautionary “Short Distance” and “Hold Up.”

” ‘Short Distance’ just talks about how a short distance it is between being right and being wrong and what’s disrespecting a man and what’s not,” Obie explained. “It’s like a short distance between living life and not. Just that quick something can happen when you trying to back a person against a wall.

” ‘Hold Up’ [has] a real banging bass line with a constant freestyle, like a different type of flow,” he continued. “A verbatim, repetition-type flow. It crazy, something different. There’s a few joints I got.”

Check out Short Distance here.

Obie Trice/ The Most Underrated mixtape review

Rating of the product: 4.5 stars

Most underrated on the Detroit scene and among mainstream artists? Obie Trice certainly is…the worst is that the average listener often doesn t pay attention to the Detroit artist s lyrical skills.

Long before he blew up on the international scene, Obie Trice has been in the rap game for a long time. His life has been far from easy, leaving him homeless for a period because of his drug deals, kicked out of his mom s home, having to struggle on his own. Eleanor Trice can be hugely proud of her son, because, despite the numerous arguments that opposed mom and son, Obie has eventually made it and has shown some real recognition and unconditional love towards the incredible person that struggled to raise him along with his brothers as her youngest kid.

Obie Trice has developed his craft over the years, he is getting better and better as far as I am concerned.

Cheers was a real good album, but Second Rounds On Me widely surpassed Obie s first LP. It revealed a man who perfected lyrical skills and who mastered flow and instrumentals. Second Rounds On Me is the perfect gift for black music lovers. It is simply amazing.

So Why isn t Obie on top of the tops? That’s what he d actually deserve!
Too many times outshined by 50 Cent, people should definitely have a closer look at the Detroit talent.

DJ Woo Kid introduces the mixtape that is followed by Most Underrated in which Obie assails his opponents with some astute lyrical bullets. Built on some crazy vocals, Obie s words will merciless knife you, making his obvious lyrical talent shine. You might hate the man, but you cannot deny his talent!

Hope is introduced by some violins and trumpet sounds, mixed up with some swinging drum beats while Obie spits his venom, exposing his vision of hope, despite the negative elements surrounding him.

Gangster is instrumentally softened with toothing stone and flute sounds. While Obie excels at composing his words, the song leads you into a pleasant ballad during which Obie challenges his rivals.

Can t Stop is a rhythmic track whose scurrilous dimension is reinforced by repetitive drum beats and electric guitar notes. Let Obie show you his artillery. The song is highly enjoyable. It will lead you into an incredible, incisive battle of words. Obie s flow delivery is quite impressing.

Terrible will take you by surprise with its euphoric sounds. Keyboard sounds, instrumentals work together with the catchy beats to create an enthusiastic atmosphere of a confident emcee who is heading towards victory. I recommend you the song, particularly for its original choice of the instrumentals. No doubt: you gonna like it!

Fooling With Fooling starts with some sharp harpsichord notes, gun shots and is a powerful outlet for Obie s rage.

A Detroiter shows you his spirit and sense of realness. Never afraid to tell the truth, Obie carries the proud spirit of the Detroit underground, fully representing the 313.

I was a little bit disappointing by Show Me Love Bitch that is more R’N’B sounding and has more mainstream appeal. However, Obie s lyrical skills are still great on this track!

Poet, drug dealer, eternal hustler, weed smoker, drinker, Obie portrays life at a rock bottom level in the hood with an incredible lyrical brilliance and a lot of humility. I loved Coupe. A must hear!

Globally, Obie Trice s work on the Most Underrated mixtape is the result of hard work. I highly recommend it to you.

Let Obie transport you into his universe and show you how real hip hop should sound.

Download Obie s mixtape here.

Copyright© 2007 by Isabelle Esling
All Rights Reserved

hopefully a review of Obie Trice s The Most Underrated mixtape in collaboration with DJ Whoo-Kid…stay tuned, folks:)

Read it here.

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